This second edition focuses on the historical invisibility of female artists in museum collections, building on the first edition’s emphasis on increasing visibility and recognition of female Dutch artists. 

By examining the artistic shoulders on which contemporary UK artists stand, the exhibition fosters a meaningful dialogue between past and present. Nine Dutch female artists visited the archives of the Victoria and Albert Museum (V&A), where they studied works by influential British female artists, including Barbara Hepworth and Bridget Riley. Immersing themselves in the museum’s rich collection allowed the artists to engage deeply with their chosen historical works and  shape their own contemporary responses. This resulted in a series of new works that are presented alongside existing pieces.

Standing on the Shoulders of Giants II ( SOTSOG II) uniquely offers a moment to celebrate Dutch female artists and to underline the urgency of elevating women’s voices in the cultural sector. While progress has been made, women remain underrepresented in collections, exhibitions, and leadership positions across the art world. This exhibition represents an important step towards greater recognition and equality, standing firmly on the shoulders of the giants who paved the way.

SOTSOG II is the result of a collaboration between the Saatchi Gallery, artist-curator Louise te Poele, the Victoria and Albert Museum (V&A), the SMAG Foundation, and the Embassy of the Kingdom of the Netherlands in the United Kingdom, with support from the Mondriaan Fund. 

The exhibition will be on view until January 12, 2026. Admission is free.

Featured Artist:
Painting: Lily de Bont (1958), Anya Janssen (1962), Bobbi Essers (2000)
Sculpture: Femmy Otten (1981), Bregje Sliepenbeek (1986), Margriet van Breevoort (1990), Larissa Esvelt (1998)
Digital sculpture and object design: Audrey Large (1994)
Photography and installation: Louise te Poele (1984)